Cologne Chamber Orchestra, Georg Philipp Telemann made "Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade" available on November 15, 1999. The duration of Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Telemann: Darmstadt Overtures (Suites)". In this album, this song's track order is #9. Based on our statistics, Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade by Cologne Chamber Orchestra, Georg Philipp Telemann having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards in C Major, BWV 1061: I. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 95 BPM | ||
Overture (Suite) in D Minor, TWV 55:d3: II. Menuets I and II | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 0 | 6B | 68 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: III. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 157 BPM | ||
Sinfonia in B mayor: 3. Presto | Georg Matthias Monn, Camerata Bern, Thomas Füri | F♯ Major | 2 | 2B | 138 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 71 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Symphony in G Major: III. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 118 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM |
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