"The Adventures of Robin Hood: The Meeting" by Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg had its release date on November 1, 2003. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Erich Wolfgang Korngold, William Stromberg's "Korngold: Adventures of Robin Hood" album is number 3 out of 25. In terms of popularity, The Adventures of Robin Hood: The Meeting is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Adventures of Robin Hood: The Meeting by Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
Much ado about nothing - Incidental Music: No. 2 The Maiden in the Bridal Chamber | Erich Wolfgang Korngold, Gil Shaham, André Previn | D♭ Major | 1 | 3B | 88 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Die tote Stadt, Op. 12, Act II Scene 3: Mein Sehnen, mein Wähnen (Live) | Erich Wolfgang Korngold, Camilla Nylund, Markus Eiche, Kaisa Ranta, Melis Jaatinen, Per-Håkan Precht, Juha Riihimäki, Finnish National Opera Chorus, Finnish National Opera Orchestra, Mikko Franck | B♭ Major | 1 | 6B | 79 BPM | ||
Symphony No. 1 in E Major: I. Alla breve | Hans Rott, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 89 BPM |