Fabio Armiliato's 'Ave Maria Zeneize' came out on July 9, 2020. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Fabio Armiliato's "Genova Vita" album is number 7 out of 9. On top of that, France appears to be the country where this track was created. Ave Maria Zeneize is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria Zeneize by Fabio Armiliato to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A canson da Cheullia / Piccon, dagghe cianìn | Fabio Armiliato | A Minor | 5 | 8A | 90 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
La Boheme, erster Akt: Questo Mar Rosso | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F Major | 4 | 7B | 78 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Dieux qui me poursuivez" (Oreste) | Christoph Willibald Gluck, Georges Prêtre, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Les Pêcheurs de perles: Prelude | Georges Bizet, Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Major | 1 | 11B | 123 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
Lucia di Lammermoor: "Fra poco a me ricovero" | Gaetano Donizetti, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 2 | 10B | 165 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM |
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