"Donizetti: Lucia di Lammermoor, Act 3: "Oh, meschinal Oh, fato orrendo!" (Chorus, Edgardo)" by Gaetano Donizetti, Ferruccio Tagliavini, Philharmonia Chorus, Philharmonia Orchestra, Roberto Benaglio, Tullio Serafin was released on 1960. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 34 out of 35 in Donizetti: Lucia di Lammermoor (1959 - Serafin) - Callas Remastered by Gaetano Donizetti, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Donizetti: Lucia di Lammermoor, Act 3: "Oh, meschinal Oh, fato orrendo!" (Chorus, Edgardo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Donizetti: Lucia di Lammermoor, Act 3: "Oh, meschinal Oh, fato orrendo!" (Chorus, Edgardo) by Gaetano Donizetti, Ferruccio Tagliavini, Philharmonia Chorus, Philharmonia Orchestra, Roberto Benaglio, Tullio Serafin is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Finché si compia il rito (Nearco/Un Christiano/Paolina) | Gaetano Donizetti, Salvatore Cammarano, Piero de Palma, Virgilio Carbonari, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 71 BPM | ||
L'elisir d'amore / Act I: "Quanto è bella" | Gaetano Donizetti, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 80 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Orrida è questa notte" (Edgardo, Enrico) | Gaetano Donizetti, Jesús López-Cobos, Joseph Calleja, Ludovic Tezier, Münchener Opernorchester | D Major | 2 | 10B | 83 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM |
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