"Symphony No. 94 G Major "Mit dem Paukenschlag": IV. Finale: Allegro molto" by Joseph Haydn, Alberto Lizzio, Musici di San Marco was released on January 1, 2009. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, Various Artists's "Haydn: Symphony Nos. 87, 88 "The Letter V", 92 "Oxford Symphony" & 94 "Mit dem Paukenschlag"" album is number 15 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Symphony No. 94 G Major "Mit dem Paukenschlag": IV. Finale: Allegro molto's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 94 G Major "Mit dem Paukenschlag": IV. Finale: Allegro molto by Joseph Haydn, Alberto Lizzio, Musici di San Marco to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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String Quartet No. 37 B Minor, Op. 33 No. 1 Hob. III:37: IV. Finale: Presto - Arr. For saxophone quartet by SIGNUM saxophone Quartet | Joseph Haydn, Signum Saxophone Quartet | B Minor | 3 | 10A | 158 BPM | ||
Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Symphony in C Major, F. 26: I. Allegro con spirito | Josef Mysliveček, Matthias Bamert, London Mozart Players | G Major | 1 | 9B | 140 BPM | ||
Symphony, " Salomon " , No. 104 in D-Major, Hob.I:104: IV. Finale: Spiriuoso | Slovak Philharmonic, Alfred Scholz | D Major | 2 | 10B | 138 BPM | ||
Piano Concerto No. 4 in G Minor: I. Allegro | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | E♭ Major | 2 | 5B | 135 BPM | ||
Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro molto | Franz Schubert, Pascal Devoyon, Dong-Suk Kang | B♭ Major | 1 | 6B | 114 BPM | ||
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Nacole Palmer, Nina Faia, Kirsten Sollek, Daniel Mutlu, Matthew Hensrud, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover | B♭ Major | 3 | 6B | 81 BPM | ||
Sleep & Chill | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM |
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