"English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino" by Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin was released on March 1, 2012. The duration of English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino is about 3 minutes long, at 3:18. Based on our data, "English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 22 in Arnold for Band by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino by Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cuban Overture | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | G Major | 3 | 9B | 91 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': IV. Vivace | Antonín Dvořák, Škampa Quartet | C Major | 1 | 8B | 78 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |
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