"Messa da Requiem: VII. Libera me" by Giuseppe Verdi, Mirella Freni, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2013. Messa da Requiem: VII. Libera me appears to be safe for all ages as it is not explicit. The track order of this song in Herbert von Karajan's "Karajan - 1970s" album is number 5 out of 248. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Messa da Requiem: VII. Libera me is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messa da Requiem: VII. Libera me by Giuseppe Verdi, Mirella Freni, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Otello, Act II: Act II: Dove guardi splendono… Non parlo ancor di prova (Chorus, Jago, Desdemona, Otello) | Giuseppe Verdi, Sebastian Catana, Raffaella Angeletti, Robert Dean Smith, Orfeon Donostiarra, Los Peques del León de Oro, Oviedo Filarmonía, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
Macbeth / Act I: Coro di Streghe: "S'allontanarono!" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Major | 2 | 11B | 115 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | F Major | 1 | 7B | 63 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Bizet: Carmen, GB 9: Prelude (Allegro giocoso) | Georges Bizet, Georges Prêtre | A Major | 5 | 11B | 125 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
La traviata / Act II: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 84 BPM | ||
Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres | Richard Wagner, Orchestre de Paris, Daniel Barenboim | G Major | 3 | 9B | 100 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM |
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