"La Bohème / Act 2: "Chi l'ha richiesto?"" by Giacomo Puccini, Ildebrando D'Arcangelo, Roberto de Candia, Roberto Alagna, Simon Keenlyside, Elisabetta Scano, Angela Gheorghiu, Coro Del Teatro Alla Scala Di Milano, Coro Voci Bianche Del Teatro Alla E Del Conservatorio G. Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly was released on January 1, 1999. The duration of La Bohème / Act 2: "Chi l'ha richiesto?" is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. La Bohème / Act 2: "Chi l'ha richiesto?"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Bohème / Act 2: "Chi l'ha richiesto?"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 2: "Chi l'ha richiesto?" by Giacomo Puccini, Ildebrando D'Arcangelo, Roberto de Candia, Roberto Alagna, Simon Keenlyside, Elisabetta Scano, Angela Gheorghiu, Coro Del Teatro Alla Scala Di Milano, Coro Voci Bianche Del Teatro Alla E Del Conservatorio G. Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Madama Butterfly / Act 2: Un bel dì vedremo | Giacomo Puccini, Felicia Weathers, Wiener Opernorchester, Argeo Quadri | D♭ Major | 1 | 3B | 91 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM |
Section: 0.6323287487030029
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