"En avril a Paris (arr. A. Weissenberg)" by Walter Eiger, Charles Trenet, Marc-André Hamelin was released on January 1, 2009. The duration of En avril a Paris (arr. A. Weissenberg) is about 3 minutes long, at 3:12. Based on our data, "En avril a Paris (arr. A. Weissenberg)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Piano Music - Godowsky, L. / Rakov, N.P. / Infante, M. / Tarrega, F. / Faure, G. (Rarities of Piano Music at Schloss Vor Husum, 2008 Festival)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Denmark. En avril a Paris (arr. A. Weissenberg) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With En avril a Paris (arr. A. Weissenberg) by Walter Eiger, Charles Trenet, Marc-André Hamelin having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Ghost Rags: No. 1, Graceful Ghost Rag | William Bolcom, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Piano Quintet No. 1 in C Minor, Op. 1: II. Scherzo. Allegro vivace – Trio – Reprise | Ernst von Dohnányi, Marc-André Hamelin, Takács Quartet | B Minor | 1 | 10A | 124 BPM | ||
Valse Melancolique No. 6 in F Minor | Carlos Marquez | C Minor | 2 | 5A | 99 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Estrellita | Manuel Ponce, Arthur Grumiaux, Istvan Hajdu | F♯ Major | 2 | 2B | 187 BPM | ||
8 Concert Etudes, Op. 40: No. 7, Intermezzo | Nikolai Kapustin, Catherine Gordeladze | E Minor | 3 | 9A | 153 BPM | ||
Jesu bleibet meine Freude, No. 10; Cantata No. 147 | Johann Sebastian Bach, Tatiana Nikolayeva | G Major | 0 | 9B | 97 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM |
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