Nikolai Kapustin, Catherine Gordeladze made "8 Concert Etudes, Op. 40: No. 7, Intermezzo" available on January 4, 2011. With this song being about 5 minutes long, at 4:31, "8 Concert Etudes, Op. 40: No. 7, Intermezzo" by Nikolai Kapustin, Catherine Gordeladze is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nikolai Kapustin, Catherine Gordeladze's "Kapustin: 8 Concert Etudes - 24 Preludes" album is number 7 out of 32. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, 8 Concert Etudes, Op. 40: No. 7, Intermezzo's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of 8 Concert Etudes, Op. 40: No. 7, Intermezzo by Nikolai Kapustin, Catherine Gordeladze to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Piano Preludes: No. 3 | Frederick Delius, Eric Parkin | A Minor | 0 | 8A | 174 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 3 | 10B | 131 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
Piano Sonata No.4 in F sharp major, Op.30: 2. Prestissimo volando | Alexander Scriabin, Vladimir Ashkenazy | B Major | 2 | 1B | 66 BPM | ||
4 Sketches, Op. 15: No. 4. Fireflies | Amy Beach, Joel Fan | A Minor | 1 | 8A | 135 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Andantino simplice | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | D♭ Major | 0 | 3B | 98 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
Eight Concert Etudes, Op. 40: Finale | Nikolai Kapustin, Ivan Yanakov | C Minor | 3 | 5A | 94 BPM | ||
Eight Concert Etudes Op. 40 Pastoral | Nikolai Kapustin | E♭ Major | 6 | 5B | 114 BPM | ||
Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 848 | Brad Mehldau | D♭ Major | 3 | 3B | 129 BPM |
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