Thomas Morley, I Fagiolini, Robert Hollingworth's 'The Triumphes of Oriana: Hard by a crystal fountain' came out on February 1, 2002. The duration of The Triumphes of Oriana: Hard by a crystal fountain is about 3 minutes long, at 3:04. Based on our data, "The Triumphes of Oriana: Hard by a crystal fountain" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Triumphs Of Oriana (The)". In this album, this song's track order is #27. The Triumphes of Oriana: Hard by a crystal fountain is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Triumphes of Oriana: Hard by a crystal fountain by Thomas Morley, I Fagiolini, Robert Hollingworth having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM | ||
Fyre, Fyre!: Fyre, Fyre! | Thomas Morley, Kölner Vokalsolisten, Yuval Dvoran | F Major | 1 | 7B | 162 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM |
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