Huddersfield Choral Society, Royal Philharmonic Orchestra, Sir Charles Mackerras's 'Part Three: Aria "The trumpet shall sound" (Bass) (Soprano) (Handel / Mozart)' came out on March 6, 2006. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Huddersfield Choral Society, Royal Philharmonic Orchestra, Sir Charles Mackerras's "Messiah - G.F. Handel, arr. W. A. Mozart" album is number 23 out of 47. Based on our statistics, Part Three: Aria "The trumpet shall sound" (Bass) (Soprano) (Handel / Mozart)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Part Three: Aria "The trumpet shall sound" (Bass) (Soprano) (Handel / Mozart) by Huddersfield Choral Society, Royal Philharmonic Orchestra, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa brevis in C Major, K. 220: VI. Agnus Dei | Wolfgang Amadeus Mozart, Jens Wollenschläger, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt | G Major | 1 | 9B | 82 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Part Two: Aria "Behold, and see" (Tenor) (Handel / Mozart) | Huddersfield Choral Society, Royal Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 81 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: III. Minuet | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 2 | 2B | 146 BPM | ||
Missa brevis in B KV275: Gloria | Wolfgang Amadeus Mozart, Peter Neumann/Kölner Kammerchor/Collegium Cartusianum Köln/Franz-Josef Selig, Collegium Cartusianum | B♭ Major | 2 | 6B | 137 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise | Johann Sebastian Bach, Chamber Orchestra of Europe | D Major | 1 | 10B | 67 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Sanctus | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Petra Labitzke, Barbara Werner, Jens Wollenschläger, Daniel Sans, Wolfgang Amadeus Mozart | C Major | 3 | 8B | 122 BPM | ||
Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Rigaudon | I Musici Di San Marco, Alberto Lizzio | G Major | 2 | 9B | 120 BPM | ||
Part Two: Chorus "He trusted in God" (Handel / Mozart) | Huddersfield Choral Society, Royal Philharmonic Orchestra, Sir Charles Mackerras | C Minor | 5 | 5A | 131 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM |
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