"Aeschylus and Sophocles" by Charles Ives, Victoria Villamil, Sheila Schonbrun, Eva Gruesser, Mia Wu, Rachel Evans, Beverly Lauridsen, Cheryl Seltzer, Continuum was released on March 1, 2005. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Ives's "Ives: Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'En / Sunrise" album is number 9 out of 17. Aeschylus and Sophocles is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aeschylus and Sophocles by Charles Ives, Victoria Villamil, Sheila Schonbrun, Eva Gruesser, Mia Wu, Rachel Evans, Beverly Lauridsen, Cheryl Seltzer, Continuum to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin' - Andante maestoso | Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 0 | 7B | 132 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Java Suite: Part I: I. Gamelan | Leopold Godowsky, Konstantin Scherbakov | D Minor | 0 | 7A | 88 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte V: Une chambre dans le château | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 126 BPM | ||
Symphony No. 1: I. Allegro con moto | Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel | D Minor | 1 | 7A | 129 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Mathis Der Maler: Vorspiel: Concert of Angels | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Major | 1 | 9B | 103 BPM |
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