Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees's 'Sonata I: III. Aria Affettuoso' came out on October 6, 2022. The duration of Sonata I: III. Aria Affettuoso is about 3 minutes long, at 3:03. Based on our data, "Sonata I: III. Aria Affettuoso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 28 in Chédeville / Vivaldi: Il Pastor Fido by Nicolas Chédeville, Antonio Vivaldi, Jean-Pierre Van Hees, Luc Ponet, Ronan Kernoa. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Sonata I: III. Aria Affettuoso is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata I: III. Aria Affettuoso by Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Oboe Sonata In G Minor RV 58: IV. Allegro, ma non presto | Antonio Vivaldi, Paul Goodwin, John Toll, Nigel North, Nicolas Chédeville, Susan Sheppard | F Minor | 2 | 4A | 103 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande | Marin Marais, Ensemble Amalia | B Major | 1 | 1B | 169 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Suite in A Major, BWV 1025: II. Courante | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Chamber Sonata No. 3 in D Major: II. Vivace e presto - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Minor | 1 | 8A | 89 BPM | ||
Il pastor fido, Op. 13 Sonata No. 3 in G Major: III. Sarabanda | Nicolas Chédeville, Stefano Bagliano, Collegium Pro Musica | F♯ Minor | 1 | 11A | 129 BPM | ||
Galliard | The Royal Wind Music | F♯ Major | 2 | 2B | 139 BPM |
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