"The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death" by Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé was released on 2008. The duration of The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death is about 3 minutes long, at 3:09. Based on our data, "The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 60 in Elgar Oratorios by Sir Edward Elgar, Hallé, Sir Mark Elder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death by Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Prophete, Acte II: No. 6, Valse villageoise "Valsons toujours" - Live | Giacomo Meyerbeer, Sir Mark Elder, London Symphony Orchestra, John Osborn, Valerio Contaldo, James Platt, Guilhem Worms, Maxime Melnik, Hugo Santos, Lyon Opera Chorus | E Major | 1 | 12B | 67 BPM | ||
Requiem, Op. 9: IV. Sanctus (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | G Minor | 1 | 6A | 67 BPM | ||
La Bohème / Act 1: Sì. Mi chiamano Mimì | Giacomo Puccini, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence | B♭ Major | 1 | 6B | 137 BPM | ||
Mass No. 2 in G Major, D. 167: IV. Sanctus | Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | A Major | 3 | 11B | 186 BPM | ||
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
Ein deutsches Requiem, Op. 45: 3. Solo (Bariton) und Chor: "Herr, lehre doch mich" | Johannes Brahms, Rod Gilfry, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 0 | 7B | 75 BPM | ||
Le rossignol (The Nightingale): Scene 1 (The Forest at Dawn): Nightingale's Aria | Igor Stravinsky, Olga Trifonova, Robert Tear, Pippa Longworth, Paul Whelan, Stephen Richardson, Andrew Greenan, Sally Burgess, Peter Hall, Simon Preece, London Voices, Philharmonia Orchestra, Robert Craft | F♯ Major | 1 | 2B | 66 BPM | ||
Adams: Nixon in China: Act I, Scene 3 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Minor | 1 | 7A | 168 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
The Rake's Progress / Act I / Scene III: "I Go, I Go to Him" (Anne) | Igor Stravinsky, Deborah York, London Symphony Orchestra, John Eliot Gardiner | C Major | 1 | 8B | 135 BPM |
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