John Harle, Andy Sheppard, The Darkitect's 'Foaming at the Mouth' came out on November 20, 2020. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The John Harle Collection Vol. 13: Progressive! (Songs and Electronic Music 2005-2020)". In this album, this song's track order is #8. The popularity of Foaming at the Mouth is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Foaming at the Mouth by John Harle, Andy Sheppard, The Darkitect having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Alto Saxophone: 2. Adagio (Passacaglia) | Ingolf Dahl, John Harle, New World Symphony, Michael Tilson Thomas | D Major | 0 | 10B | 170 BPM | ||
Vaughan Williams: The Lark Ascending (Excerpt) | Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra | E Minor | 0 | 9A | 174 BPM | ||
Concerto for Alto Saxophone: I. Molto vivo | Richard Rodney Bennett, John Harle, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 5 | 8B | 139 BPM | ||
Pärt: Spiegel im Spiegel | Arvo Pärt, Renaud Capuçon, Guillaume Bellom | F Major | 0 | 7B | 85 BPM | ||
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
Silouans Song | Arvo Pärt, Tõnu Kaljuste, Tallin Chamber Orchestra | F Minor | 0 | 4A | 88 BPM | ||
Night Waltz (From Three Sondheim Waltzes) | Richard Rodney Bennett, John Harle | A Minor | 2 | 8A | 132 BPM | ||
Music from The Threepenny Opera: III. Polly's Song - Live | Kurt Weill, John Harle, Simon Haram, Christian Forshaw, Andrew Findon | G Major | 0 | 9B | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Encore de Lirico | Sally Greenaway, James Luke | F Major | 0 | 7B | 93 BPM |
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