Richard Rodney Bennett, John Harle, Sir Neville Marriner, Academy of St. Martin in the Fields's 'Concerto for Alto Saxophone: I. Molto vivo' came out on November 1, 1991. Concerto for Alto Saxophone: I. Molto vivo is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Saxophone Concertos". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Concerto for Alto Saxophone: I. Molto vivo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Alto Saxophone: I. Molto vivo by Richard Rodney Bennett, John Harle, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Moon language | Miljan Minic, Smooth Windy Times | C Minor | 0 | 5A | 100 BPM | ||
Proposal (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Major | 2 | 9B | 94 BPM | ||
Love Is for the Very Young (Main Title Theme) (From "The Bad and the Beautiful") | David Raksin | A♭ Major | 3 | 4B | 118 BPM | ||
Out of Africa: Main Theme | Royal Philharmonic Orchestra | C Major | 3 | 8B | 80 BPM | ||
Sergio Leone Suite: III. Main Theme from Once Upon a Time in America | Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone | E Major | 3 | 12B | 99 BPM | ||
Brooklets & Heights | Danke Timi Briggs | E♭ Major | 3 | 5B | 74 BPM | ||
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 2, Kidnapping | Richard Rodney Bennett, Orchestra of the Royal Opera House, Covent Garden, Charles Taylor, Marcus Dods | D♭ Major | 0 | 3B | 79 BPM | ||
Sektenwahn | Marcel Barsotti | F Major | 1 | 7B | 131 BPM | ||
Missing Love Fantasy | Luciano Lombardi | B♭ Major | 1 | 6B | 101 BPM |
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