"Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 2, Kidnapping" by Richard Rodney Bennett, Orchestra of the Royal Opera House, Covent Garden, Charles Taylor, Marcus Dods was released on November 25, 2005. The duration of Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 2, Kidnapping is about 3 minutes long, at 3:27. Based on our data, "Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 2, Kidnapping" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Sir Richard Rodney Bennett: Murder on the Orient Express . Lady Caroline Lamb [original soundtrack recordings]". In this album, this song's track order is #14. Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 2, Kidnapping is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 2, Kidnapping by Richard Rodney Bennett, Orchestra of the Royal Opera House, Covent Garden, Charles Taylor, Marcus Dods having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maria from West Side Story Suite - Instrumental | Leonard Bernstein, David Zinman, Philharmonia | G Major | 1 | 9B | 82 BPM | ||
When the Whales Came | Christopher Gunning, Rumon Gamba, BBC Philharmonic, Nicole Tibbels | D Minor | 1 | 7A | 81 BPM | ||
Charade / Two for The Road / Moon River - Songs for Audrey | Henry Mancini | A Minor | 1 | 8A | 82 BPM | ||
Kern: Up With The Lark (from "Centennial Summer", arr. Rodney Bennett) | Jerome Kern, Barry Tuckwell, Richard Rodney Bennett, Neil Richardson | D♭ Major | 5 | 3B | 122 BPM | ||
Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
The Dreame - Voice | Patrick Doyle, Jane Eaglen, Robert Ziegler | A Major | 2 | 11B | 65 BPM | ||
Main Title - From Indiscreet, 1958 | Richard Rodney Bennett, Ken Jones | D Major | 2 | 10B | 127 BPM | ||
Around The World In 80 Days - Overture | Victor Young | E♭ Major | 2 | 5B | 126 BPM | ||
Concerto For Clarinet & String Orchestra | Benny Goodman, Aaron Copland | D Minor | 2 | 7A | 85 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM |
Section: 0.7503767013549805
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