Federico Mompou, Marco Ramelli's 'Prélude V (transcribed by James Beneteau/Marco Ramelli)' came out on February 26, 2024. The duration of Prélude V (transcribed by James Beneteau/Marco Ramelli) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Prélude V (transcribed by James Beneteau/Marco Ramelli)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Federico Mompou, Marco Ramelli's "Mompou: Misteriós, Transcriptions for Guitar, Vol. 1" album is number 7 out of 26. On top of that, Netherlands appears to be the country where this track was created. Prélude V (transcribed by James Beneteau/Marco Ramelli) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prélude V (transcribed by James Beneteau/Marco Ramelli) by Federico Mompou, Marco Ramelli to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Irish Pieces: No. 1. From the Countryside | William Alwyn, Ashley Wass | G Major | 0 | 9B | 70 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Visions fugitives, Op.22: 1. Lentamente | Sergei Prokofiev, Anna Gourari | A Minor | 0 | 8A | 0 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Carnaval, Op. 9: No. 18. Aveu | Robert Schumann, Boris Giltburg | G Minor | 1 | 6A | 147 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM |
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