Johann Sebastian Bach, Catrin Finch's 'Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav.' came out on October 12, 2021. With Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav. being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 47 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav.'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav. by Johann Sebastian Bach, Catrin Finch is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | D Minor | 3 | 7A | 94 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Romance in F for Viola & Orchestra, Op.85 | Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | F Major | 1 | 7B | 99 BPM | ||
Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live | Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd | A Minor | 3 | 8A | 111 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto | Johann Sebastian Bach, Monica Huggett, Marion Scott, Rachel Beckett, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM |
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