Francesco Cavalli, Michel Corboz, Luciano Sgrizzi, English Bach Festival Baroque Orchestra's 'Cavalli: Ercole amante, Act 2: Sinfonia' came out on July 1, 1981. With Cavalli: Ercole amante, Act 2: Sinfonia being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Cavalli: Ercole amante, Act 2: Sinfonia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli: Ercole amante, Act 2: Sinfonia by Francesco Cavalli, Michel Corboz, Luciano Sgrizzi, English Bach Festival Baroque Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) | Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Vivaldi: Clarae stellae, scintillate, RV 625: "Clarae stellae, scintillate" | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Hipermestra, Atto III Scena 14: Quest'è un gran caso al certo | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Quito Gato, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM | ||
Circée: Air "Désirs, transports" | Henri Desmarets, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | G Major | 1 | 9B | 104 BPM | ||
La Didone: "Lamento di Didone" | Francesco Cavalli, Stéphanie D'Oustrac, Ensemble Amarillis, Héloïse Gaillard, Violaine Cochard | A Major | 0 | 11B | 113 BPM | ||
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria) | Johann Adolf Hasse, Regula Mühlemann | F♯ Minor | 3 | 11A | 120 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM |
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