George Gershwin, William Warfield, Leontyne Price, Cab Calloway, John McCurry, Jerry Laws, Helen Thigpen, Joseph James, Howard Roberts, Leslie Scott, Georgia Burke, RIAS-Unterhaltungsorchester, Alexander Smallens's ' "Porgy and Bess - Act One, Scene I: Oh, little Stars - Live" was released on its scheduled release date, November 19, 2008. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Gershwin, William Warfield, Leontyne Price, Cab Calloway, RIAS-Unterhaltungsorchester, Alexander Smallens's "Gershwin: Porgy and Bess (Live)" album is number 11 out of 58. On top of that, Germany appears to be the country where this track was created. Porgy and Bess - Act One, Scene I: Oh, little Stars - Live is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Porgy and Bess - Act One, Scene I: Oh, little Stars - Live by George Gershwin, William Warfield, Leontyne Price, Cab Calloway, John McCurry, Jerry Laws, Helen Thigpen, Joseph James, Howard Roberts, Leslie Scott, Georgia Burke, RIAS-Unterhaltungsorchester, Alexander Smallens to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les jeux d'eau à la Villa d'Este | Franz Liszt, André Watts | F♯ Major | 0 | 2B | 72 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | ||
3 Waltzes, Op. 64: No. 2 in C-Sharp Minor | Frédéric Chopin, Arthur Rubinstein | D♭ Minor | 0 | 12A | 76 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Amarcord | Orchestre de la Suisse Romande | F Major | 1 | 7B | 71 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
I got rhythm: Variations for piano and orchestra | George Gershwin, Wayne Marshall, Aalborg Symphony | F Major | 3 | 7B | 117 BPM | ||
Aria | Eugène Bozza, Gerard McChrystal, Shiroma De Silva | G Minor | 0 | 6A | 72 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM |