Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss's 'Cantate: VI. Westron Wind' came out on 2005. The duration of Cantate: VI. Westron Wind is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Cantate: VI. Westron Wind's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Stravinsky: Les Noces". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. Cantate: VI. Westron Wind is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantate: VI. Westron Wind by Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.1 In F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | G Major | 0 | 9B | 107 BPM | ||
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E Major | 0 | 12B | 112 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Game of Abduction (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | F Major | 6 | 7B | 115 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 64 BPM | ||
Concerto for Viola and Orchestra: II. Vivo e molto preciso | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 2 | 8A | 144 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Violin Concerto In D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | A♭ Major | 1 | 4B | 177 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM |
Section: 0.6893455982208252
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