Cantate: VI. Westron Wind
Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss
Stravinsky: Les Noces
2:05 2005
BPM
69
Key
C Minor
Camelot
5A

Embed

Share Link

Cantate: VI. Westron Wind - Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss Information

Acousticness
84%
Danceability
18%
Energy
18%
Instrumentalness
83%
Liveness
19%
Loudness
58%
Speechiness
5%
Valence
32%
Popularity
Loudness
-25.014 dB

Summary

Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss's 'Cantate: VI. Westron Wind' came out on 2005. The duration of Cantate: VI. Westron Wind is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Cantate: VI. Westron Wind's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Stravinsky: Les Noces". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. Cantate: VI. Westron Wind is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cantate: VI. Westron Wind BPM

With Cantate: VI. Westron Wind by Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Cantate: VI. Westron Wind Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No.1 In F Sharp Minor, Op.1: 2. Andante by Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji OzawaPiano Concerto No.1 In F Sharp Minor, Op.1: 2. AndanteSergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji OzawaG Major09B107 BPM
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo by Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoSymphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppoDmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoE Major012B112 BPM
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Game of Abduction (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony OrchestraThe Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Game of Abduction (1921 Version)Igor Stravinsky, Leonard Bernstein, London Symphony OrchestraF Major67B115 BPM
Pictures at an Exhibition (Orch. Ravel): I. Gnomus by Modest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelPictures at an Exhibition (Orch. Ravel): I. GnomusModest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelE Major112B60 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Spring Rounds by Igor Stravinsky, Berliner Philharmoniker, Herbert von KarajanLe Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Spring RoundsIgor Stravinsky, Berliner Philharmoniker, Herbert von KarajanB♭ Minor13A64 BPM
Concerto for Viola and Orchestra: II. Vivo e molto preciso by William Walton, Edward Gardner, BBC Symphony Orchestra, James EhnesConcerto for Viola and Orchestra: II. Vivo e molto precisoWilliam Walton, Edward Gardner, BBC Symphony Orchestra, James EhnesA Minor28A144 BPM
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo by Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoSymphony No. 8 in C Minor, Op. 65: III. Allegro non troppoDmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoF Major57B167 BPM
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
Violin Concerto In D Major, Op. 35: I. Moderato nobile by Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André PrevinViolin Concerto In D Major, Op. 35: I. Moderato nobileErich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André PrevinA♭ Major14B177 BPM
Oedipus Rex, Prologue and Act I: Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…"Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot GardinerB♭ Minor13A172 BPM
ISRC
FRZ140516150
Label
L-M Records/RCA Records

Section: 0.6893455982208252

End: 0.6942577362060547