"Mozart: Il re pastore, K. 208, Act II: Rondo. "L'amerò, sarò costante"" by Wolfgang Amadeus Mozart, Kathleen Battle, Royal Philharmonic Orchestra, André Previn had its release date on January 1, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Kathleen Battle, Royal Philharmonic Orchestra, André Previn's "Kathleen Battle Sings Mozart" album is number 3 out of 7. In terms of popularity, Mozart: Il re pastore, K. 208, Act II: Rondo. "L'amerò, sarò costante" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Il re pastore, K. 208, Act II: Rondo. "L'amerò, sarò costante" by Wolfgang Amadeus Mozart, Kathleen Battle, Royal Philharmonic Orchestra, André Previn to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Divertimento in F Major, K.247, Lodron Night Music No. 1: III. Menuetto | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | F Major | 0 | 7B | 85 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Serenata notturna in D Major, K. 239: II. Menuetto - Trio | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM | ||
Sinfonia concertante in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Nuova orchestra da camera Ferruccio Busoni, Massimo Belli, Alessandro Milani, Luca Ranieri | G Major | 3 | 9B | 118 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |