- BPM
- 77
- Key
- E Major
- Camelot
- 12B
Franck: Prélude, aria et finale, FWV 23: Finale - César Franck, Aldo Ciccolini Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 17%
- Instrumentalness
- 90%
- Liveness
- 9%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 4%
- Loudness
- -22.639 dB
Summary
"Franck: Prélude, aria et finale, FWV 23: Finale" by César Franck, Aldo Ciccolini was released on 1975. Franck: Prélude, aria et finale, FWV 23: Finale is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 6 out of 10 in Franck - Oeuvres Pour Piano by César Franck, Aldo Ciccolini. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Franck: Prélude, aria et finale, FWV 23: Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Franck: Prélude, aria et finale, FWV 23: Finale BPM
The tempo marking of Franck: Prélude, aria et finale, FWV 23: Finale by César Franck, Aldo Ciccolini is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
Franck: Prélude, aria et finale, FWV 23: Finale Key
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | |
 | Eroica Dance (Arr. for Piano from Symphony No. 3 in E-Flat Major, Op. 55 by Martin Stadtfeld ) | Ludwig van Beethoven, Martin Stadtfeld | E♭ Major | 2 | 5B | 143 BPM | |
 | Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | |
 | Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | |
 | Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | |
 | Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | |
 | Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | |
 | Prélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano) | César Franck, Nikolai Lugansky | B Minor | 0 | 10A | 70 BPM |
- ISRC
- FRZ117006471
- Label
- L-M Records/RCA Records
Section: 0.7905900478363037
End: 0.7952086925506592