"Liebestraum No.3 in A Flat Major, Op.62: O lieb' so lang Du lieben kannst" by Josef Bulva was released on November 27, 2011. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in St. Louis Symphony's "Instant Classical Collection - Most Popular Masterpieces, Vol. 2" album is number 31 out of 99. On top of that, Germany appears to be the country where this track was created. Liebestraum No.3 in A Flat Major, Op.62: O lieb' so lang Du lieben kannst is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liebestraum No.3 in A Flat Major, Op.62: O lieb' so lang Du lieben kannst by Josef Bulva to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM | ||
10 Préludes, Op. 23: No. 5 in G Minor. Alla marcia | Sergei Rachmaninoff, Boris Giltburg | G Minor | 1 | 6A | 114 BPM | ||
Scheherazade, Op. 35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev | F Minor | 1 | 4A | 79 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 1 | 12B | 101 BPM | ||
Strauss Jr., J.: An der schönen blauen Donau, Op. 314 | Johann Strauss II, London Philharmonic Orchestra, Franz Welser-Möst | B♭ Major | 1 | 6B | 60 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 177 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) | Christoph Willibald Gluck, Jean-Yves Thibaudet | D♭ Minor | 0 | 12A | 128 BPM | ||
Suite espanola No. 1, Op. 47: No. 5. Asturias (Leyenda) | Isaac Albéniz, Miguel Baselga | A♭ Major | 4 | 4B | 159 BPM | ||
Concerto for Piano No. 2 in A Major: V. Allergo moderato | Josef Bulva, Daniel Nazareth, Radio Symphony Orchestra Luxemburg | B Minor | 4 | 10A | 77 BPM | ||
Pavana-Capricho, Op. 12 | Isaac Albéniz, Alicia de Larrocha | E Major | 1 | 12B | 77 BPM |
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