"Strauss Jr., J.: An der schönen blauen Donau, Op. 314" by Johann Strauss II, London Philharmonic Orchestra, Franz Welser-Möst was released on 1991. Since Strauss Jr., J.: An der schönen blauen Donau, Op. 314 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, London Philharmonic Orchestra, Franz Welser-Möst's "J. Strauss II: Walzer & Ouvertueren" album is number 7 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Strauss Jr., J.: An der schönen blauen Donau, Op. 314 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss Jr., J.: An der schönen blauen Donau, Op. 314 by Johann Strauss II, London Philharmonic Orchestra, Franz Welser-Möst to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Entertainer | Scott Joplin, Lang Lang | C Major | 1 | 8B | 77 BPM | ||
Wiener Blut (Vienna Blood), Op. 354 | Johann Strauss II, Budapest Philharmonic Orchestra, Janos Ferencsik | C Major | 1 | 8B | 84 BPM | ||
Dance of the Hours | Amilcare Ponchielli, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 92 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
Rossini: La gazza ladra: Sinfonia (Maestoso marziale - Allegro) | Gioachino Rossini, Carlo Maria Giulini, Philharmonia Orchestra | E Major | 3 | 12B | 158 BPM | ||
Jazz Suite No. 2: VI. Waltz No. 2 (Arr. for Chamber Ensemble) | Dmitri Shostakovich, Osterreichischen Salonisten | C Minor | 2 | 5A | 97 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Kiri Te Kanawa, Sir John Pritchard, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 103 BPM |
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