"Wiener Blut (Vienna Blood), Op. 354" by Johann Strauss II, Budapest Philharmonic Orchestra, Janos Ferencsik was released on July 15, 2014. Since Wiener Blut (Vienna Blood), Op. 354 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Strauss Ii, J.: Overtures / Waltzes / Polkas". In this album, this song's track order is #2. Wiener Blut (Vienna Blood), Op. 354 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wiener Blut (Vienna Blood), Op. 354 by Johann Strauss II, Budapest Philharmonic Orchestra, Janos Ferencsik having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jubilee Waltz (orch. J. Cohen) | Johann Strauss II, Slovak Radio Symphony Orchestra, Franz Bauer-Theussl | C Major | 1 | 8B | 179 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Carmen Suite No. 2: II. Habanera | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Major | 0 | 10B | 133 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino | Johannes Brahms, Munich Philharmonic Orchestra, Sergiu Celibidache | C Major | 1 | 8B | 80 BPM | ||
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (Excerpt) | Ludwig van Beethoven, Jukka-Pekka Saraste, Scottish Chamber Orchestra | C Minor | 0 | 5A | 83 BPM | ||
Ohne Bremse - Polka schnell, Op.238 - 1989 Remastered Version | Eduard Strauss, Wiener Johann Strauss Orchester, Willi Boskovsky, Johann Strauss II | D Major | 4 | 10B | 149 BPM | ||
Beethoven - Turkish March from Die Ruinen von Athen | Anton Rubinstein, Zora Mihailovich | F Major | 2 | 7B | 80 BPM | ||
La Gioconda, Op. 9 / Act 3: Dance of the Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 137 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM |
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