Love Is Here To Stay - George Gershwin, Joshua Bell, London Symphony Orchestra, John Williams Information

Acousticness: 93%
Danceability: 14%
Energy: 5%
Instrumentalness: 13%
Liveness: 20%
Loudness: 51%
Speechiness: 5%
Valence: 5%
Popularity: 4%
Loudness: -29.321 dB

Summary

"Love Is Here To Stay" by George Gershwin, Joshua Bell, London Symphony Orchestra, John Williams was released on May 18, 1998. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Gershwin, Joshua Bell's "Gershwin Fantasy" album is number 11 out of 11. Love Is Here To Stay is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Love Is Here To Stay BPM

We consider the tempo marking of Love Is Here To Stay by George Gershwin, Joshua Bell, London Symphony Orchestra, John Williams to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Love Is Here To Stay Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai	Anton Rubinstein, Ludmila Peterková, Irina Kondratenko	F Major	0	7B	70 BPM
Ruslan and Lyudmila, Op. 5: Overture	Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov	E Minor	1	9A	154 BPM
Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino	Alexander Borodin, Leonard Bernstein, New York Philharmonic	A Major	1	11B	78 BPM
The Bartered Bride: Overture	Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek	F Major	2	7B	145 BPM
4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet)	Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet	G Major	0	9B	52 BPM
Appalachian Spring: I. Very Slowly	Aaron Copland, Leonard Bernstein, New York Philharmonic	A Major	0	11B	78 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato	Sergei Rachmaninoff, Yevgeny Sudbin, BBC Symphony Orchestra, Sakari Oramo	C Minor	1	5A	82 BPM
7 Virtuoso Etudes: 1. I Got Rhythm (after G. Gershwin)	Earl Wild, Isata Kanneh-Mason	F♯ Major	3	2B	106 BPM
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6707756519317627

End: 0.6756494045257568