"La Jolie Fille De Perth Suite: Marche" by New Zealand Symphony Orchestra, Georges Bizet was released on November 4, 1994. The duration of La Jolie Fille De Perth Suite: Marche is about 3 minutes long, at 3:10. Based on our data, "La Jolie Fille De Perth Suite: Marche" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 12 in Bizet: Symphony In C Major/Jeux D'enfants/Scènes Bohémiennes by New Zealand Symphony Orchestra. Based on our statistics, La Jolie Fille De Perth Suite: Marche's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Jolie Fille De Perth Suite: Marche by New Zealand Symphony Orchestra, Georges Bizet is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Meditations on Michelangelo: Sonnet No. 27: Non posso altra figura immaginarmi | Jack Body, Martin Riseley, New Zealand Symphony Orchestra, Kenneth Young | D Major | 1 | 10B | 128 BPM | ||
The Crown of India Suite, Op. 66: V. March of the Mogul Emperors | Edward Elgar, New Zealand Symphony Orchestra, James Judd | B Minor | 4 | 10A | 92 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Viola Concerto in C Minor, Op. 25: I. Allegro assai | York Bowen, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | F Major | 1 | 7B | 139 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
3 Bavarian Dances: No. 3 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 126 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Overture | Claire Cowan, New Zealand Symphony Orchestra, Royal New Zealand Ballet | C Major | 2 | 8B | 75 BPM |
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