"Meditations on Michelangelo: Sonnet No. 27: Non posso altra figura immaginarmi" by Jack Body, Martin Riseley, New Zealand Symphony Orchestra, Kenneth Young was released on March 4, 2014. With Meditations on Michelangelo: Sonnet No. 27: Non posso altra figura immaginarmi being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 13 in Body: Poems of Love and War by Jack Body, Kenneth Young. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Meditations on Michelangelo: Sonnet No. 27: Non posso altra figura immaginarmi's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Meditations on Michelangelo: Sonnet No. 27: Non posso altra figura immaginarmi by Jack Body, Martin Riseley, New Zealand Symphony Orchestra, Kenneth Young is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Qui habitat in adiutorio altissimi à 24 - Vocal | Josquin des Prez, Paul Van Nevel | F Major | 2 | 7B | 92 BPM | ||
The Revd Mustard his Installation Prelude | Nico Muhly, James McVinnie | D Major | 1 | 10B | 108 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Lullaby | Balanescu Quartet | B♭ Major | 0 | 6B | 163 BPM | ||
Refrain 3 | Stephen Stubbs | A Minor | 0 | 8A | 88 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 6. Sehr langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | G Major | 0 | 9B | 0 BPM | ||
Nunc aperuit nobis | Hildegard von Bingen, Sequentia, Barbara Thornton | A Major | 0 | 11B | 127 BPM | ||
Five Melodies for Piano: I. - | Jack Body, Dan Poynton | C Major | 0 | 8B | 180 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
the little match girl passion: penance and remorse | David Lang, Theatre Of Voices, Paul Hillier | D♭ Major | 0 | 3B | 117 BPM |
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