- BPM
- 128
- Key
- A♭ Major
- Camelot
- 4B
Chants d'Auvergne, Vol. 1: No. 3. La Haut, Sur Le Rocher (Up There on the Rock) - Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus Information
- Acousticness
- 96%
- Danceability
- 28%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 1%
- Loudness
- -21.674 dB
Summary
"Chants d'Auvergne, Vol. 1: No. 3. La Haut, Sur Le Rocher (Up There on the Rock)" by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus was released on November 1, 2004. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 21 in Canteloube: Chants D'Auvergne by Joseph Canteloube, Véronique Gens, Jean-Claude Casadesus. Based on our statistics, Chants d'Auvergne, Vol. 1: No. 3. La Haut, Sur Le Rocher (Up There on the Rock)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Chants d'Auvergne, Vol. 1: No. 3. La Haut, Sur Le Rocher (Up There on the Rock) BPM
The tempo marking of Chants d'Auvergne, Vol. 1: No. 3. La Haut, Sur Le Rocher (Up There on the Rock) by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Chants d'Auvergne, Vol. 1: No. 3. La Haut, Sur Le Rocher (Up There on the Rock) Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | |
 | Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | |
 | Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche) | Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy | F Major | 2 | 7B | 76 BPM | |
 | Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | |
 | Canteloube : 3 Bourrées : Interlude 2 | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 129 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 92 BPM | |
 | The Armed Man - A Mass For Peace: 10. Agnus Dei | Karl Jenkins, Polyphony, Stephen Layton | C Major | 1 | 8B | 127 BPM | |
 | Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | |
 | String Quartet No. 2 in D: 3. Notturno | Alexander Borodin, Takács Quartet | A Major | 1 | 11B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6949462890625
End: 0.7011630535125732