"Three Songs, Op. 29: Traum Durch Die Dämmerung" by Jussi Björling was released on March 3, 1931. The duration of Three Songs, Op. 29: Traum Durch Die Dämmerung is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Three Songs, Op. 29: Traum Durch Die Dämmerung's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #97. Furthermore, we believe that the track originated from Germany. The popularity of Three Songs, Op. 29: Traum Durch Die Dämmerung is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Songs, Op. 29: Traum Durch Die Dämmerung by Jussi Björling having a BPM of 181 with a half-time of 90 BPM and a double-time of 362 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Våren / The Last Spring | Edvard Grieg, Reza e iRagazzi, Reza Aghamir | F Major | 2 | 7B | 68 BPM | ||
Nabucco: Slave Chorus | London Festival Orchestra | F♯ Major | 2 | 2B | 102 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | G Major | 3 | 9B | 80 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Frösöblomster, Book 1, Op. 16: Sommarsång (Arr. for Orchestra) | Anonymous, Wilhelm Peterson-Berger, Helsingborg Symphony Orchestra, Okko Kamu | F Major | 0 | 7B | 61 BPM | ||
Mi Batte Il Cor - o Paradiso! (L'africana) | Jussi Björling, RCA Victor Orchestra | C Major | 3 | 8B | 94 BPM | ||
La bohème (2002 Digital Remaster), Act Two: Viva Parpignol! (Coro/Marcello/Mimi/Schaunard/Colline/Rodolfo) | Sir Thomas Beecham, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, RCA Victor Chorus, John Reardon, Victoria de los Ángeles, Jussi Björling | A Major | 2 | 11B | 85 BPM | ||
Majsång - O hur härligt majsol ler: Majsang | Friedrich Kuhlau, Lunds Studentsångare, Folke Bohlin | E♭ Major | 0 | 5B | 102 BPM | ||
Till havs (opus 84:5) | Jean Sibelius, Lunds Studentsångare, Mats Paulson | A Major | 1 | 11B | 121 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM |
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