"Mi Batte Il Cor - o Paradiso! (L'africana)" by Jussi Björling, RCA Victor Orchestra was released on March 3, 1931. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, Mi Batte Il Cor - o Paradiso! (L'africana) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mi Batte Il Cor - o Paradiso! (L'africana) by Jussi Björling, RCA Victor Orchestra having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Lustige Witwe: Es lebt eine Vilja, ein Waldmägdelein (Vilja-Lied / Act 2) [Léon & Stein] | Franz Lehár, Lucia Popp, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Kungssången | Otto Jonas Lindblad, Swedish Radio Choir, Swedish Radio Symphony Orchestra, Stig Westerberg | B♭ Major | 1 | 6B | 71 BPM | ||
Till skogs en liten fagel flog | Otto Jonas Lindblad, Lunds Studentsångare, Folke Bohlin | G Major | 0 | 9B | 173 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
L'elisir d'amore, Act II: "Una furtiva lagrima" | Gaetano Donizetti, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | G Major | 6 | 9B | 80 BPM | ||
Förklädd gud, Op. 24: Prelude | Mark Levengood, Charlotta Larsson, Gunnar Birgersson, Enskede Kammarkor, Swedish Radio Symphony Orchestra, Eva Karpe | F Major | 1 | 7B | 72 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Rigoletto, Act 1: Della Mia Bella... Questa o Quella | Jussi Björling, Babro Ericson, Erik Sundqvist, Eva Prytz, Kerstin Meyer, Olle Sivall | C Major | 1 | 8B | 109 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.5450904369354248
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