"Suite Gothique, Op. 25: I. Introduction-Choral" by Léon Boëllmann, Jean-Pierre Lecaudey was released on January 1, 2000. The duration of Suite Gothique, Op. 25: I. Introduction-Choral is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Suite Gothique, Op. 25: I. Introduction-Choral's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Pierre Lecaudey's "L'orgue romantique de Lagrasse" album is number 1 out of 15. Suite Gothique, Op. 25: I. Introduction-Choral is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite Gothique, Op. 25: I. Introduction-Choral by Léon Boëllmann, Jean-Pierre Lecaudey to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite gothique, Op. 25: III. Prière à Notre-Dame | Léon Boëllmann, Gerard Brooks | D Major | 0 | 10B | 92 BPM | ||
Sixième Symphonie. Allegro | Olivier Latry | G Minor | 3 | 6A | 71 BPM | ||
Symphonie No. 3 pour Orgue: V. Final | Louis Vierne, Olivier Latry | F♯ Minor | 3 | 11A | 70 BPM | ||
Suite VII In G Minor HV 432: Gigue (Handel) | Ottavio Dantone | F♯ Minor | 6 | 11A | 81 BPM | ||
Suite gothique, Op. 25: II. Menuet gothique | Léon Boëllmann, Colin Andrews | G Major | 0 | 9B | 136 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Suite No. 2: Toccata | Louis Vierne, Olivier Latry | B♭ Minor | 5 | 3A | 75 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
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