"Wo die Lerche singt, Act I: "Ein Hauch, wie von Blüte" - "Wenn die Liebe ruft" (Vilma, Arpad)" by Franz Lehár, Großes Wiener Rundfunkorchester, Esther Rethy, Hans Hais was released on March 6, 2015. The duration of Wo die Lerche singt, Act I: "Ein Hauch, wie von Blüte" - "Wenn die Liebe ruft" (Vilma, Arpad) is about 3 minutes long, at 3:05. Based on our data, "Wo die Lerche singt, Act I: "Ein Hauch, wie von Blüte" - "Wenn die Liebe ruft" (Vilma, Arpad)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Lehár, Großes Wiener Rundfunkorchester, Ernst Tautenhayn, Else Macha's "Lehár: Wo die Lerche singt" album is number 9 out of 29. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Wo die Lerche singt, Act I: "Ein Hauch, wie von Blüte" - "Wenn die Liebe ruft" (Vilma, Arpad)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wo die Lerche singt, Act I: "Ein Hauch, wie von Blüte" - "Wenn die Liebe ruft" (Vilma, Arpad) by Franz Lehár, Großes Wiener Rundfunkorchester, Esther Rethy, Hans Hais to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fliegende Holländer: Steuermann, lass die Wacht | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | G Major | 4 | 9B | 82 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Meine Lippen, sie küssen so heiß (Giuditta) | Franz Lehár, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Komm Zigan | Rudolf Schock | A Major | 3 | 11B | 106 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Im chambre séparée | Richard Heuberger, Anna Netrebko, Piotr Beczala | D Major | 1 | 10B | 171 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Messe solennelle de Ste. Cécile: Sanctus | Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Major | 1 | 7B | 125 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM |
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