Giovanni Pittoni, Stephan Rath made "Sonata seconda pour théorbe seul: Grave - Allegro - Largo - Allegro" available on 2005. The duration of Sonata seconda pour théorbe seul: Grave - Allegro - Largo - Allegro is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Sonata seconda pour théorbe seul: Grave - Allegro - Largo - Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Schmelzer: Sonatae a violino solo". In this album, this song's track order is #24. Furthermore, we believe that the track originated from France. The popularity of Sonata seconda pour théorbe seul: Grave - Allegro - Largo - Allegro is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonata seconda pour théorbe seul: Grave - Allegro - Largo - Allegro by Giovanni Pittoni, Stephan Rath having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata No. 11 in D Minor: IV. Bourree | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | A Major | 4 | 11B | 76 BPM | ||
Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
Sonata da camera No. 3: III. Sua sarabanda | Giovanni Pittoni, Jean-Michel Robert, Brigitte Tagnier | D♭ Minor | 2 | 12A | 110 BPM | ||
Furiosa (Corrente) | Bellerofonte Castaldi, Evangelina Mascardi | G Major | 1 | 9B | 65 BPM | ||
Suite in G Minor, BWV 1008: III. Courante | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Sett in D Minor, Op. 2: V. Jigg | James Paisible, Musica Barocca | E Major | 1 | 12B | 123 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Gaspar Sanz: Canarios - For Baroque Guitar and Colascione | Gaspar Sanz, Andreas Nachtsheim, Klaus Mader | D♭ Major | 1 | 3B | 173 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM |
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