On 1972, the song "Interview: Irving Caesar (Bonus Track)" was released by Spoken Word, Irving Caesar. With Interview: Irving Caesar (Bonus Track) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "No, No, Nanette (New Broadway Cast Recording (1971))". In this album, this song's track order is #28. In terms of popularity, Interview: Irving Caesar (Bonus Track) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Interview: Irving Caesar (Bonus Track) by Spoken Word, Irving Caesar having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La mer, L. 109: No. 2, Jeux de vagues | Claude Debussy, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 82 BPM | ||
Ippolito Villano | Kerry Ball | A♭ Minor | 0 | 1A | 67 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - "Your Flight Was Smooth, I Hope?" | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 98 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 89 BPM | ||
The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 2 | 12A | 105 BPM | ||
I am that Nigga (spoken word) | Spoken Word | A Major | 4 | 11B | 102 BPM | ||
Act 2: Prelude to Act Two / The Witch's Ride - Orchestra | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | F Major | 2 | 7B | 90 BPM | ||
Lullaby | George Gershwin, Manhattan String Quartet, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Academy of St. Martin in the Fields, New York Philharmonic, Boston Symphony Orchestra, Detroit Symphony Orchestra, Milwaukee Symphony Orchestra | G Major | 1 | 9B | 106 BPM |
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