"Lullaby" by George Gershwin, Manhattan String Quartet, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Academy of St. Martin in the Fields, New York Philharmonic, Boston Symphony Orchestra, Detroit Symphony Orchestra, Milwaukee Symphony Orchestra was released on January 1, 1995. Since Lullaby is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The Romantic Approach: A Special Collection of 20th Century American Music". In this album, this song's track order is #7. In terms of popularity, Lullaby is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lullaby by George Gershwin, Manhattan String Quartet, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Academy of St. Martin in the Fields, New York Philharmonic, Boston Symphony Orchestra, Detroit Symphony Orchestra, Milwaukee Symphony Orchestra having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, Op. 57 | Frédéric Chopin, Jon Nakamatsu | D♭ Major | 0 | 3B | 65 BPM | ||
Fascinatin' Rhythm: The Man I Love | Leon Bates, George Gershwin | A♭ Major | 1 | 4B | 65 BPM | ||
Chichester Psalms: III. Psalm 131 / Psalm 133,1 - Live | Leonard Bernstein, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | F Minor | 1 | 4A | 78 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
Pelleas et Melisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | G Minor | 0 | 6A | 70 BPM | ||
The Girl with Flaxen Hair | Claude Debussy, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM |
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