"Concerto No. 2 in D Major for Cello and Orchestra, Hob. VIIb/2: II. Adagio" by Arto Noras was released on March 10, 2009. Concerto No. 2 in D Major for Cello and Orchestra, Hob. VIIb/2: II. Adagio is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Joseph Haydn: The Essential Works - 200 Year Anniversary Collection" album is number 10 out of 59. Concerto No. 2 in D Major for Cello and Orchestra, Hob. VIIb/2: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto No. 2 in D Major for Cello and Orchestra, Hob. VIIb/2: II. Adagio by Arto Noras to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Frescobaldi : Toccata | Girolamo Frescobaldi, Arto Noras, Tapani Valsta | E♭ Major | 1 | 5B | 91 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 2, Allegro maestoso | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | D Minor | 2 | 7A | 110 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza | Dmitri Shostakovich, Arto Noras, The Norwegian Radio Orchestra, Ari Rasilainen | D Major | 1 | 10B | 61 BPM | ||
Goldmark: Violin Concerto in A Minor, Op. 28: II. Andante | Karl Goldmark, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 2 | 8B | 103 BPM | ||
Cello Sonata in D Minor: III. Finale: Anime | Claude Debussy, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM | ||
Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM |
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