Mikael Oskarsson, Sabina Agnas, Fredrik Jonsson, Daniel Karlsson, Urban Agnas, Joakim Agnas, Tomas Agnas, Anita Agnas made "Skala banan (arr. J. Agnas)" available on October 1, 2010. The duration of Skala banan (arr. J. Agnas) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Skala banan (arr. J. Agnas)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joakim Agnas's "Girafflatar for smafolk" album is number 11 out of 21. On top of that, Sweden appears to be the country where this track was created. Skala banan (arr. J. Agnas) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Skala banan (arr. J. Agnas) by Mikael Oskarsson, Sabina Agnas, Fredrik Jonsson, Daniel Karlsson, Urban Agnas, Joakim Agnas, Tomas Agnas, Anita Agnas to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 77 BPM | ||
Requiem, Op.48: Introit et Kyrie | Gabriel Fauré, The Choir Of Trinity College, Cambridge, Richard Marlow | B♭ Major | 0 | 6B | 77 BPM | ||
Requiem, Op. 48: Offertoire | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, Stephan Genz, La Chapelle Royale | D Major | 0 | 10B | 64 BPM | ||
All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt | Johann Sebastian Bach, Ensemble Accentus, Laurence Equilbey | E♭ Major | 0 | 5B | 78 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM |
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