"Romeo and Juliet, Op. 64 / Act 2: 25. Dance with Mandolins" by Sergei Prokofiev, Berliner Philharmoniker, Claudio Abbado was released on January 1, 1997. With Romeo and Juliet, Op. 64 / Act 2: 25. Dance with Mandolins being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Prokofiev: Romeo and Juliet - Highlights". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Romeo and Juliet, Op. 64 / Act 2: 25. Dance with Mandolins is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 / Act 2: 25. Dance with Mandolins by Sergei Prokofiev, Berliner Philharmoniker, Claudio Abbado having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik | A♭ Major | 1 | 4B | 71 BPM | ||
Pictures at an Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 82 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 4. Allegro giocoso | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 131 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 166 BPM | ||
L'Arlésienne Suite No. 2, WD 28: 3. Menuet | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E♭ Major | 0 | 5B | 78 BPM | ||
Symphonie fantastique, Op. 14: 4. Marche au supplice. Allegretto non troppo | Hector Berlioz, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 2 | 6A | 168 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: Einleitung | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 74 BPM | ||
Sonata for Violin and Piano No.1 in F minor, Op.80: 3. Andante | Sergei Prokofiev, Janine Jansen, Itamar Golan | G Major | 1 | 9B | 84 BPM |
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