"Suite In G Minor (Suite En Sol Mineur): Prélude" by Marin Marais was released on 1993. With Suite In G Minor (Suite En Sol Mineur): Prélude being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 22 in Conversations En Musique: Chamber Music In 18th Century France (Conversations En Musique: Musique De Chambre En France Au XVIIIe Siècle) by Arion Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Suite In G Minor (Suite En Sol Mineur): Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite In G Minor (Suite En Sol Mineur): Prélude by Marin Marais is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Alcione, Acte III Scène 4: "C’est toi que j’en atteste" | Marin Marais, Jordi Savall, Lea Desandre, Cyril Auvity, Le Concert Des Nations | D Major | 1 | 10B | 127 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - Bourée Pour Les Bergers Et Les Bergères | Jordi Savall, Marin Marais | F Major | 0 | 7B | 184 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM |
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