"Alcione, Acte III Scène 4: "C’est toi que j’en atteste"" by Marin Marais, Jordi Savall, Lea Desandre, Cyril Auvity, Le Concert Des Nations was released on September 24, 2021. With this song being about 5 minutes long, at 4:59, "Alcione, Acte III Scène 4: "C’est toi que j’en atteste"" by Marin Marais, Jordi Savall, Lea Desandre, Cyril Auvity, Le Concert Des Nations is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 22 out of 85. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Alcione, Acte III Scène 4: "C’est toi que j’en atteste"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcione, Acte III Scène 4: "C’est toi que j’en atteste" by Marin Marais, Jordi Savall, Lea Desandre, Cyril Auvity, Le Concert Des Nations to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
Gagliarda | Giorgio Mainerio, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 2 | 5B | 176 BPM | ||
Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Allegretto in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 129 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Sonate concertate in stil moderno, Book 2: No. 10, Sonata à 3 | Dario Castello, London Baroque | D♭ Major | 3 | 3B | 96 BPM |
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