Schwanengesang, D. 957: Ständchen (Arr. Camille Thomas for Cello and Piano)
Franz Schubert, Niu Niu, Camille Thomas
Lifetime
5:06 January 6, 2023
BPM
72
Key
D Major
Camelot
10B

Embed

Share Link

Schwanengesang, D. 957: Ständchen (Arr. Camille Thomas for Cello and Piano) - Franz Schubert, Niu Niu, Camille Thomas Information

Acousticness
98%
Danceability
26%
Energy
2%
Instrumentalness
93%
Liveness
7%
Loudness
56%
Speechiness
4%
Valence
6%
Popularity
Loudness
-26.59 dB

Summary

"Schwanengesang, D. 957: Ständchen (Arr. Camille Thomas for Cello and Piano)" by Franz Schubert, Niu Niu, Camille Thomas had its release date on January 6, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Niu Niu's "Lifetime" album is number 9 out of 17. On top of that, Hong Kong appears to be the country where this track was created. Schwanengesang, D. 957: Ständchen (Arr. Camille Thomas for Cello and Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Schwanengesang, D. 957: Ständchen (Arr. Camille Thomas for Cello and Piano) BPM

We consider the tempo marking of Schwanengesang, D. 957: Ständchen (Arr. Camille Thomas for Cello and Piano) by Franz Schubert, Niu Niu, Camille Thomas to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Schwanengesang, D. 957: Ständchen (Arr. Camille Thomas for Cello and Piano) Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonatina No. 1 in C Major, Op. 36: II. Andante by Lang LangSonatina No. 1 in C Major, Op. 36: II. AndanteLang LangF Major17B176 BPM
Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto by Stuttgart Piano Trio, Franz SchubertPiano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con MotoStuttgart Piano Trio, Franz SchubertC Minor05A100 BPM
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia by Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo FossiVariations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con GraziaCarl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo FossiE♭ Major25B49 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major by Johannes Brahms, Idil Biret16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat MajorJohannes Brahms, Idil BiretA♭ Minor31A111 BPM
Carmen Suite No. 1: Intermezzo by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitCarmen Suite No. 1: IntermezzoGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitE♭ Major05B80 BPM
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo by Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud CapuçonDebussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivoClaude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud CapuçonC Major18B84 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
La séparation La séparation "Nocturne in F Minor": La separation, Nocturne in F MinorMikhail Glinka, Victor RyabchikovF Minor14A73 BPM
Nocturne No. 2 in C Minor by John Field, Benjamin FrithNocturne No. 2 in C MinorJohn Field, Benjamin FrithC Minor05A67 BPM
Waldszenen, Op. 82: I. Eintritt im Walde by Robert Schumann, Arcadi VolodosWaldszenen, Op. 82: I. Eintritt im WaldeRobert Schumann, Arcadi VolodosB♭ Major06B113 BPM
ISRC
HKUM72200424
Label
L-M Records/RCA Records