"Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto" by Stuttgart Piano Trio, Franz Schubert was released on May 15, 1989. Since Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Schubert: Piano Trios In E Flat Major, D. 929 And D. 897". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto by Stuttgart Piano Trio, Franz Schubert having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in G Minor, RV 315, "L'Estate": III. Presto | Antonio Vivaldi, Vladimir Spivakov | C Minor | 4 | 5A | 158 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights | Sergei Prokofiev, London Philharmonic Orchestra/Sir John Pritchard, Sir John Pritchard, London Philharmonic Orchestra | B Major | 2 | 1B | 85 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Lauma Skride, Pauline Sachse | D Major | 0 | 10B | 169 BPM | ||
Rapsodia Hungara No 2 | Orquesta Sinfónica De Eslovaquia | D♭ Major | 3 | 3B | 141 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM |
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