Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti's 'The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino)' came out on January 1, 1981. The duration of The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #6. In terms of popularity, The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino) by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
La Bayadere: Variation 3: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Tatiana's Bedroom: Apparition of Onegin - Pas De Deux (Onegin Ballet Suite No 11 & 12) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | B Minor | 0 | 10A | 85 BPM | ||
Le carnaval des animaux, R. 125: V. L'Eléphant | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E Major | 0 | 12B | 60 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Don Quixote: Act II: Allegretto | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 0 | 11B | 136 BPM | ||
Le Corsaire: Pas d Escalve - Gulnare variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E Major | 0 | 12B | 80 BPM |
Section: 0.7720370292663574
End: 0.7772173881530762