George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood's 'Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise' came out on October 16, 2000. With Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 11 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise by George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paulus: II. Teil: Nr. 27 Rezitativ T "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, James Taylor | B♭ Major | 1 | 6B | 170 BPM | ||
The Creation, Hob.XXI,2: Pt. 2, And God Created Great Whales | Joseph Haydn, Handel & Haydn Society, Matthew Brook, Harry Christophers | G Major | 0 | 9B | 104 BPM | ||
Stabat Mater in F Minor, P. 77: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 111 BPM | ||
Alcina, HWV 34, Act III: Ma quando tornerai | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Prince-Monaco, Gianluca Capuano | E Major | 4 | 12B | 129 BPM | ||
Les Indes galantes, Prologue, Scène 4 - Scène 5: "Pour remplacer les cœurs" (Hébé) - "Ranimez vos flambeaux" (L'Amour, Hébé, Suite d'Hébé) | Jean-Philippe Rameau, Claron McFadden, Isabelle Poulenard, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 102 BPM | ||
Vesperae solennes de Dominica, K. 321: II. Confitebor | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | E Minor | 1 | 9A | 116 BPM | ||
Alcidiane: Ritournelle et Recit Italien | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 90 BPM | ||
Durante: Messa a 5 voci: "Domine Fili unigenite" | Francesco Durante, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 2 | 3B | 117 BPM | ||
Purcell : King Arthur : Act 3 "Great love, I know thee now" [Bass] | William Christie | E♭ Major | 1 | 5B | 78 BPM | ||
Rinaldo / Act 2: Aria: Ah! Crudel! | George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 86 BPM |
Section: 0.5918943881988525
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