Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise
George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood
Handel: Rinaldo (Original 1711 Version)
0:59 October 16, 2000
BPM
112
Key
D♭ Major
Camelot
3B

Embed

Share Link

Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise - George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood Information

Acousticness
95%
Danceability
54%
Energy
18%
Instrumentalness
52%
Liveness
15%
Loudness
74%
Speechiness
4%
Valence
35%
Popularity
Loudness
-15.825 dB

Summary

George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood's 'Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise' came out on October 16, 2000. With Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 11 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise BPM

We consider the tempo marking of Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise by George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Paulus: II. Teil: Nr. 27 Rezitativ T Paulus: II. Teil: Nr. 27 Rezitativ T "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr"Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, James TaylorB♭ Major16B170 BPM
The Creation, Hob.XXI,2: Pt. 2, And God Created Great Whales by Joseph Haydn, Handel & Haydn Society, Matthew Brook, Harry ChristophersThe Creation, Hob.XXI,2: Pt. 2, And God Created Great WhalesJoseph Haydn, Handel & Haydn Society, Matthew Brook, Harry ChristophersG Major09B104 BPM
Stabat Mater in F Minor, P. 77: XI. Inflammatus et accensus by Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe RoussetStabat Mater in F Minor, P. 77: XI. Inflammatus et accensusGiovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe RoussetA Major111B111 BPM
Alcina, HWV 34, Act III: Ma quando tornerai by George Frideric Handel, Cecilia Bartoli, Les Musiciens du Prince-Monaco, Gianluca CapuanoAlcina, HWV 34, Act III: Ma quando torneraiGeorge Frideric Handel, Cecilia Bartoli, Les Musiciens du Prince-Monaco, Gianluca CapuanoE Major412B129 BPM
Les Indes galantes, Prologue, Scène 4 - Scène 5: Les Indes galantes, Prologue, Scène 4 - Scène 5: "Pour remplacer les cœurs" (Hébé) - "Ranimez vos flambeaux" (L'Amour, Hébé, Suite d'Hébé)Jean-Philippe Rameau, Claron McFadden, Isabelle Poulenard, Les Arts Florissants, William ChristieF♯ Major12B102 BPM
Vesperae solennes de Dominica, K. 321: II. Confitebor by Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireVesperae solennes de Dominica, K. 321: II. ConfiteborWolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireE Minor19A116 BPM
Alcidiane: Ritournelle et Recit Italien by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonAlcidiane: Ritournelle et Recit ItalienJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonD♭ Minor112A90 BPM
Durante: Messa a 5 voci: Durante: Messa a 5 voci: "Domine Fili unigenite"Francesco Durante, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oroD♭ Major23B117 BPM
Purcell : King Arthur : Act 3 Purcell : King Arthur : Act 3 "Great love, I know thee now" [Bass]William ChristieE♭ Major15B78 BPM
Rinaldo / Act 2: Aria: Ah! Crudel! by George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher HogwoodRinaldo / Act 2: Aria: Ah! Crudel!George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher HogwoodF♯ Minor111A86 BPM
ISRC
GBBBB2000011
Label
L-M Records/RCA Records

Section: 0.5918943881988525

End: 0.5973491668701172