Rinaldo / Act 2: Aria: Ah! Crudel! - George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 97%
Danceability: 18%
Energy: 5%
Instrumentalness: 0%
Liveness: 8%
Loudness: 61%
Speechiness: 5%
Valence: 4%
Popularity: 9%
Loudness: -23.55 dB

Summary

"Rinaldo / Act 2: Aria: Ah! Crudel!" by George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood was released on October 16, 2000. Rinaldo / Act 2: Aria: Ah! Crudel! is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 21 out of 82. Rinaldo / Act 2: Aria: Ah! Crudel! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rinaldo / Act 2: Aria: Ah! Crudel! BPM

We consider the tempo marking of Rinaldo / Act 2: Aria: Ah! Crudel! by George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.

Rinaldo / Act 2: Aria: Ah! Crudel! Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VI. Air	George Frideric Handel, Akademie für Alte Musik Berlin	E Major	0	12B	141 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Ana-Marija Markovina	F Minor	2	4A	76 BPM
Chiome d'oro, SV 143	Claudio Monteverdi, Sonia Wieder-Atherton	C Major	1	8B	119 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	G Major	1	9B	95 BPM
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Major	1	4B	187 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio	Alessandro Marcello, Venice Baroque Orchestra	D♭ Minor	0	12A	79 BPM
Water Music: Suite No. 2 in D Major, HWV 349, I. Allegro	George Frideric Handel, Pierre Boulez, New York Philharmonic	D Major	2	10B	95 BPM
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)	Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	G Minor	1	6A	77 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice	Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus	A Minor	0	8A	114 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7720441818237305

End: 0.776397705078125