Jan Dismas Zelenka, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Trio Sonata No. 1 in F Major, ZWV 181: I. Adagio ma non troppo" available on March 27, 2012. The duration of Trio Sonata No. 1 in F Major, ZWV 181: I. Adagio ma non troppo is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Trio Sonata No. 1 in F Major, ZWV 181: I. Adagio ma non troppo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Galileo Project: Music of the Spheres". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Canada. Based on our statistics, Trio Sonata No. 1 in F Major, ZWV 181: I. Adagio ma non troppo's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trio Sonata No. 1 in F Major, ZWV 181: I. Adagio ma non troppo by Jan Dismas Zelenka, Tafelmusik Baroque Orchestra, Jeanne Lamon having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
In exitu Israel, ZWV 84: IV. Sicut erat | Jan Dismas Zelenka, Prague Baroque Soloists, Adam Viktora, Ensemble Inégal | E Major | 6 | 12B | 107 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 30. Aria, "Es ist vollbracht" (Seele) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton | A♭ Minor | 2 | 1A | 96 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | D♭ Minor | 1 | 12A | 74 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": IV. Quoniam | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | D Major | 3 | 10B | 123 BPM | ||
Dies irae, LWV 64/1: Liber scriptus proferetur | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | E Major | 4 | 12B | 120 BPM | ||
Missa Quadragesimalis, MH 552: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B♭ Minor | 1 | 3A | 135 BPM |
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